Easter Bunny Treats

The Easter Bunny is one of childhood's constant threats. As evidenced in this series of wonderful vintage photos provided by Dolldom favorite Dave Duffy, there's nothing like a fake bunny to create a lasting impression.










But there are ther ways to impress one's little ones this time of year. Instead of the traditional bunny, Dolldom proposes a dotting aunt bearing an over-the-top basket full of sugar laden, cavity forming Easter Sunday goodness. In this exclusive portfolio, BFMC Luncheon Ensemble Barbie doll portrays an ever-so-fabulous-Auntie-Mame-type who drops in to define Easter chic.


Robert Best's tribute to the ladies who lunch wears an English rose garden chintz puff-sleeve dress belted at the waist with tiny bows at each shoulder.


The coordinating swing coat adds as much drama as the solid old-rose pink turban.


Her lush garden necklace and earrings are by Joy Jarred. Barbie's bar by Darren Cole for Retros. Her Easter basket was a gift given to Dolldom by Deborah Lilliard of Spicyfyre Creations.

Destination: Japan

The art of fashion design is appreciated and valued for its attention to detail, careful execution, and originality: all the qualities that exemplify early Barbie style. The interesting dichotomy of the Barbie doll lies in the fact that in spite of being the triumph of vinyl rotation and other advances of mid-20th century technology, the origins and creation of her wardrobe are rooted in a tradition of craftsmanship. A little more than five decades ago, a considerable amount of handcrafting went into the production of the Barbie doll’s ensembles - in Japan. The hands of many Japanese factory workers and freelance seamstresses who worked from their homes collaborated to conceive a product unlike anything seen at that point in toy history. The reduction of scale and the mastery with which the details were achieved, guaranteed the success of the Barbie doll line. Which is why many collectors aspire to possess such examples of sartorial precision.

Vintage photo showing Tammy and Barbie doll displays at a Japanese store.

Sylvia Campbell has been designing reproductions for the Barbie doll under the Snowdance Fashions label since 1996. A professional seamstress and a veteran of studio as well as motion picture work, Sylvia now devotes her full attention and efforts to the replication of the most elusive: rare designs created for the Japaneses market - many of which were meticulously researched and documented by Keiko Kimura Shibano in her book Barbie in Japan, published by Murat-Caviale and photographed by the great Barry Sturgill. 

Cover of Barbie in Japan by Keiko Kimura Shibano

Sylvia’s aim is to create a perfect miniaturization using high-quality fabrics and embellishments -sometimes from the same vintage - with the same degree of precision and beauty achieved by Japanese hands more than five decades ago. After sourcing the materials, Sylvia creates the patterns, many times using the original garment. This incredible dedication and attention to minutiae enable Sylvia to recapture that delicious vintage feeling.

In this exclusive feature,  Dolldom profiles Sylvia's masterful execution of kimonos for Barbie, her sister Skipper, and her cousin Francie Fairchild. To close the fashion extravaganza, a magnificent re-imagining of a rare gown shown on page fifty of Miss Kibano's tome. Dolldom applauds Sylvia Campbell for her ongoing dedication to providing collectors with the opportunity to enjoy the beauty of these rare and hard-to-find treasures. For thanks to Sylvia Campbell, admirers of this exquisite period in the Barbie doll's history are able to travel through time.

The red lace kimono with gold brocade obi is one of Sylvia's classics for the Francie doll, modeled in this photo by a Japanese market doll.

Barbie's sister, Skipper enjoys Sylvia's attention. Miss Campbell fashioned this yukata from a perfectly scaled cotton print that evokes the blooming wonders of a Japanese spring. It is modeled by a OOAK Skipper doll re-rooted by Angie Gill. Skipper's doll case by Rebecca Brosdahl.

Authentic silk crepe, named chirimen and used for kimonos in Japan is one of Sylvia's fantastic fabric finds. Made in the furisode style with long, draping sleeves, it is worn by an unmarried woman on very special occasions. Patterned and sewn exactly as the kimonos were sewn for Barbie in the 1960’s, this one boasts hand stitching and an obi of gorgeous pink, gold, and mauve brocade. Sylvia used silver and teal soutache braid for the obi-jime cord. Sylvia also created the hair ornament. An undisputed masterpiece.

First show on page fifty of Barbie in Japan, this hand beaded dress caught Dolldom's eye and became an obssession. When Sylvia recreated it, there was motive for celebration. Later, Sylvia upped the ante and brought it to the world in emerald - Pantone's color of the year for 2013. The creamy satin silk bodice bedazzles with sequins, red crystal bugle beads, and 24k gold lined crystal seed beads.  Limited to an edition of eight, these gorgeous hand beaded and sequined dresses were cut a little bit longer than the original beauty, which was lent by one of Sylvia's loyal friends, so that she could create the pattern.

For more of Sylvia Campbell's treasures, visit her at Snowdance Fashions.

Do You Like My Hair II: Queen of The World

Coins, just like scandals, have two sides. Likewise, a woman has the prerogative to have, at the very least, two facets to her personality in order to captivate by surprise. In our last entry, we waxed poetic about the virtues of the earthquake-proof rubber wig made by American Character for the Popi pop-apart fashion doll. And as much as our stylists enjoyed styling that shoot, Dolldom could not resist expanding its examination of the age-old question: "Do you like my hair?" For hair (rubbery or otherwise) is the essence of fashion fun.

For this exclusive feature, Dolldom profiles the work of Queen of the World wigs. Based in Montreal, Queen of the World, an über-glam hair studio for flesh and blood women, crafts handmade doll wigs in the most glamorous silhouettes and mouthwatering colors. These celebratory perruques exude joie de vivre and impart an aura of vintage-style glamour.

Princess Patty Fantasia Candelabra, Dolldom's exclusive model and Wonderbilly girl, behaved like the proverbial child in the candy store when she arrived to pose for our photographer. As the exclusive photo portfolio proves, Princess Patty Fantasia is, without doubt, queen of the fashion world in these vivacious celebrations of color and style. Beaded blouse created by Juliette Wharton for Dangerous Dames.


Modèle Il était une fois à Versailles is a delicate inspiration in super soft mohair. Turquoise silk bows add more of a coquettish touch.


Modèle Hay Fever features a savory mustard color and tiny frosted glass marguerites.


Modèle Bedrock à Go-Go evokes the luscious cotton candy of summer county fairs gone by. The petit half bone decoration invites pleasant repartée. 


Modèlde La Mariposa Maravillosa is a fantasy of pale blond mohair highlighted by an intertwined lilac strand and baby blue silk bows. An ideal wig for the Easter Parade down Fifth Avenue.


Modèle Bolshoi Bang is a cordovan tour de force that doubles as a hat. For who doesn't love an accessory that multi-tasks?


Modèle Bloom Boom exemplifies sempiternal 1960s chic. Tiny frosted glass posies rest on a luscious strawberry blonde bubble.


Modèle Pourpre de Tyr is a superb rendition of soft waves in a most regal color. Definitely fit for queen.

Viva Queen of The World!